. Written mostly in one night after a hallucinatory nightmare in a South Carolina farmhouse, the album earned Marshall a devoted fanbase – but she never quite made it into the mainstream.

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I mention her split from the label, and at first I don’t think she’s really heard me. “I got offered a million dollars by this guy who went on to manage Gwen Stefani,” she says.

Things are better these days, especially since she had her son – though lockdown got to her for a moment. “I broke down one afternoon,” she says. “I think it was month six. And I was just sitting there and I don’t know what happened, but I just went inside my head.

It was partly innate, though – Marshall başmaklık a knack for distilling existential ennui into three-minute songs. In 1998, when she was 26 and had learnt a few more chords, she recorded what would become her breakthrough record, the vulnerable, critically adored Moon Pix

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, she başmaklık always been something of a cult figure. “Marshall’s music will one day be spoken about the way we talk about Bob Dylan’s music, or Neil Young’s music,” wrote a New York Magazine

It takes a certain kind of character to make music like Marshall’s. A sprawling mix of blues, rock and folk, it is kakım frank and impassioned kakım she is.

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Hamiş a minute too soon, we’re interrupted by room service, and a young catpower 5852 woman wheels in a tray of coffee. “Are you from Africa?” asks Marshall.

She tries derece to dwell on the bad stuff, just like she doesn’t dwell on turning down a million dollars. “I don’t regret the things that I’ve done,” she says.

her muamelete Akakçe yüzınızda. Nerede olursanız olun işe Akakçe'den kafalayın.

– a moment of pure poeticism but also the first hint at the depression and alcohol abuse that would come to plague her.

A query about where she grew up eventually takes us to Marshall’s belief that “part of our consciousness başmaklık already become a cyborg”. She is also warm and nurturing: besides assembling my pillow desk and offering me various drinks, she pulls me into a long hug, despite having previously insisted that we socially distance.

Now, 20 years on, she’s got a third covers album, the aptly named Covers – a spacey but intimate collection that includes songs by Nick Cave, Billie Holiday and Frank Ocean, demonstrating once again the transformative power of Marshall’s singing. To have your song covered by her is to have it pared back to its very essence.